Showing posts with label diversity. Show all posts
Showing posts with label diversity. Show all posts

Friday, July 28, 2017

Historic Controversies

There is a renewed interest in the author, James Baldwin these days. One of the reasons for this may be that his birthday is August 2.

However, there is a lot to be said about the gay Black author. He wrote about topics that were exotic to a 1950s and '60s audience. He explored heterosexual relationships between people who were of different racial backgrounds and sexual identities. He considered whether these relationships could survive in a Jim Crow culture where segregation and discrimination was the way of the land, where homosexuality was only whispered about in smoke-filled cocktail party room of predominantly comprised of the Beat crowd and university thinkers. But that, in and of itself, was a distinction because few Black writers were able to rise to having the status of having their works and theories form the basis of serious discourse.

He dared to speak of the rejection of the Black native son and portray his position in a society that allowed travel on one of two paths while ignoring all the others. And, like Richard Wright, Baldwin attempted to explain the psychology of existence and moral standards of one racial group compared with another.

Perhaps Baldwin's friendship with archaeologist Margaret Mead explains some of his essays and the depths into which he went with his analyses of his subjects and the critical acclaim he gained because of his willingness to explore these topics with the reading world. When we compare some of the titles of his works to those of Richard Wright, the critical-thinking reader will ponder to what extent Wright influenced Baldwin's voice.

And here we are, more than a half century since he emerged in the literary world, now daring to include black characters on both the large and small screen who go about their lives in all walks of life, without restraints, because the diversity and inclusion conversation was doing little toward moving us forward in the realm of diversity and acceptance in reality.

Perhaps this birthday will be the one where the resurgence in interest will be the one that also encourages the lowering of the barriers to outright acceptance and nurtures consideration and inclusion based on actual ability without regard to genetics.

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Tuesday, July 25, 2017

Critique: Still Star-Crossed

It's been a goal to write a review/critique of the TV series "Still Star Crossed" since it first aired. That is still my goal. It's one thing to watch an adaptation of a classic. It's yet another to view the sequel not anticipated by the original author, complete with 21st Century modifications for inclusiveness. How closely the after story follows the conventions of the times is worth at least a viewing or few.

When it first aired, it was one of the Summer substitutes for the Shondaland empire on Thursday nights. That was interrupted when the air dates started changing in deference to things such as awards shows, sports specials, TV reality contests, and other madness. Then the show air dates started moving. Initially, it followed episodes of "The Bachelorette." That changed. It showed up again on a Sunday night then eclipsed itself only to reappear on a Saturday night - in conflict with KCET's dramas and PBS's Masterpiece Mysteries.

At this point, it isn't clear whether it's supposed to be a weekly Summer show or just a filler until the Fall season starts. It appears the series is going to suffer a slow death. Thus, a good review/critique may be a postmortem.

In the meantime, here are a few observations about "Still Star-Crossed."

It's the next chapter of the classic tale of Romeo and Juliet, penned by the bard, Shakespeare. Perhaps that's why the Italian families speak with extremely British accents.

There's nothing to explain why the royal families are so diverse. Perhaps this has to do with the fact that Italy is so close to Morocco and the northern areas of Africa. Perhaps it has to do with the fact that the remains of Beachy Head Woman of British archaeology was originally from a sub-Saharan country and who could have been the wife or mistress of merchant. At any rate, the awareness of Beachy Head Lady lends credence to the array of colors of the Veronese and Venetian aristocracy portrayed in the series.

Much of the story line has a "Scandal" feel with regard to the intrigue the hangs like a heavy cloud over the characters. But that was also the signature intrigue unique to the bard in many of his dramas. Richly colored costumes (that have a certain color scheme for particular characters) are very accurate for the time. There's a very limited view of the common life that should be part of the population. The story feels like we're watching a period-based soap opera. But it's well executed, which is one of the reasons for my frustration when it isn't aired on the expected day and time.

It was a bit difficult to take when Lady Rosalind ran off astride a horse instead of side saddle with Lord Benvolio. There were reasons why ladies rode side saddle. But there were also women who broke with traditions and were brazen and bold and rode cross saddle. It appears she was among them. (Right on, ladies!)

Which brings me to the roles of the women in this series. Were they truly involved in the various maneuverings of political plans and schemes or were they merely window dressing for their husbands? Theory has it that the former was true. Although there could have been strategic pillow talk, it was not uncommon for there to be his and hers bedrooms. Is it really possible that the women of rank from the House of Escalus could fall to being servants and then rise again to being considered aristocracy? Is that, perhaps, how the stardust of Liberty was sprinkled onto the subconscious of the masses? (wink)

For the time being, the series can be viewed on Saturday evenings. Find episodes and show dates here. [I just found it while attempting to learn whether it's still being aired.] Each episode can be viewed on Amazon.com for $1.99 per episode. The episodes are exciting and very close to a Dumas novel.

So there you have it. A review of the show that isn't a postmortem.

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