Public Broadcast Stations (PBS) are airing a few new week night series. It's a mixed bag of drama, light comedy, situational comedy, mystery, and whodunits. These are in addition to the weekend Masterpiece dramas.
One of the new series, 800 Words, seems to pick up on a theme from the Masterpiece story, Durrells in Corfu. There we were told the 1930s story of the newly widowed English woman and her four children who left England in search of a more affordable existence in a small village in a Greek island. Her eldest embarks on a career as an author.
With 800 Words, the story is modified. It's a contemporary Australian widower, George Turner, who transplants to a small town in New Zealand with his two teenagers. Each day is a new adventure of errors and calamities. The family learns the house they thought they were moving into is not the ideal abode. Instead, it's more than a fixer-upper. It's a disaster that is barely tolerable - and then gets worse. Then the boat with all of their furniture and belongings sinks. The family is left to quite literally rough it as they learn about the island, the people, the customs, and survival in a new place.
Now in a new place with offspring who need to be cared for, George needs to earn a living. He finds a job as the local newspaper columnist and journalist. Somehow, that job pays for the family's most immediate needs and affords George the ability to pay for the numerous repairs for the house and the car. While the teenagers go through their form of grieving and trying to make sense of this new life, we learn about Dad as he works through his own battles through his weekly column that has a word count limit of 800 words - thus the name of the series. He speaks to us, and the village, through his column. He philosophizes. He learns. He discloses.
The story is made more endearing because it's situated in a very small town on an idyllic island. Needless to say, everyone knows everyone else. Gossip is the mainstay. People pitch in to help one another. Spontaneous housewarmings happen. Scandals come; scandals go. Peace abides as Life shifts and existence spins its way into a new day and new situations.
We go through the maturation process with the teens. It's easy to recognize that the story is authored by a man. The older daughter seems a bit more mature for her years than we would expect of a 16 year old. She is also not shy about speaking her mind to anyone, whether adult or peer. The younger son is learning about claiming territory and where he fits into the pecking order of the land. But he is also learning about his voice and he uses his voice and sophistication to work through the various situations that confront him.
Both of the youth are very sophisticated and philosophical. They make the viewer wonder what type of woman Mum was and what type of parenting was happening before the transplant occurred.
When George isn't writing, he's negotiating his way through existence as he goes through his own form of release from grieving. He attempts to reclaim the precious days of his youth when he longed to surf the New Zealand waters. Now approaching middle age, he realizes that may be more of a daydream than something that will be attained but it creates an occasional respite and an opportunity to meet more of the neighbors and become one with the land. He wants to fit in and he wants his family to be accepted by the locals. After all, they're going to live there for the rest of their lives.
Like the petals of a flower that slowly peel away from the bud, so the knowledge about the transplanted family comes to life in the series and we're drawn into the drama of life in a new place. We laugh at the double-handed doses Life dishes out in the form of tragedies that morph into moments of laughter that make it all the sweeter to be in Weld. We begin to yearn for that simpler time when Life was much more mellow in spite of what seems like chaos.
Perhaps the chaos is merely the unpredictable nature of living one day into the next. It's all a surprise and an exercise in a type of game of survival. In this idyllic setting, the threats and dangers are sparse. It's a relief to believe that type of existence can happen both in the past for the Durrells and in the present for the Turners.
If only more of us were as articulate so that we would paint word pictures for others to savor while we surf through our days.
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Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts
Tuesday, August 22, 2017
Tuesday, July 25, 2017
Critique: Still Star-Crossed
It's been a goal to write a review/critique of the TV series "Still Star Crossed" since it first aired. That is still my goal. It's one thing to watch an adaptation of a classic. It's yet another to view the sequel not anticipated by the original author, complete with 21st Century modifications for inclusiveness. How closely the after story follows the conventions of the times is worth at least a viewing or few.
When it first aired, it was one of the Summer substitutes for the Shondaland empire on Thursday nights. That was interrupted when the air dates started changing in deference to things such as awards shows, sports specials, TV reality contests, and other madness. Then the show air dates started moving. Initially, it followed episodes of "The Bachelorette." That changed. It showed up again on a Sunday night then eclipsed itself only to reappear on a Saturday night - in conflict with KCET's dramas and PBS's Masterpiece Mysteries.
At this point, it isn't clear whether it's supposed to be a weekly Summer show or just a filler until the Fall season starts. It appears the series is going to suffer a slow death. Thus, a good review/critique may be a postmortem.
In the meantime, here are a few observations about "Still Star-Crossed."
It's the next chapter of the classic tale of Romeo and Juliet, penned by the bard, Shakespeare. Perhaps that's why the Italian families speak with extremely British accents.
There's nothing to explain why the royal families are so diverse. Perhaps this has to do with the fact that Italy is so close to Morocco and the northern areas of Africa. Perhaps it has to do with the fact that the remains of Beachy Head Woman of British archaeology was originally from a sub-Saharan country and who could have been the wife or mistress of merchant. At any rate, the awareness of Beachy Head Lady lends credence to the array of colors of the Veronese and Venetian aristocracy portrayed in the series.
Much of the story line has a "Scandal" feel with regard to the intrigue the hangs like a heavy cloud over the characters. But that was also the signature intrigue unique to the bard in many of his dramas. Richly colored costumes (that have a certain color scheme for particular characters) are very accurate for the time. There's a very limited view of the common life that should be part of the population. The story feels like we're watching a period-based soap opera. But it's well executed, which is one of the reasons for my frustration when it isn't aired on the expected day and time.
It was a bit difficult to take when Lady Rosalind ran off astride a horse instead of side saddle with Lord Benvolio. There were reasons why ladies rode side saddle. But there were also women who broke with traditions and were brazen and bold and rode cross saddle. It appears she was among them. (Right on, ladies!)
Which brings me to the roles of the women in this series. Were they truly involved in the various maneuverings of political plans and schemes or were they merely window dressing for their husbands? Theory has it that the former was true. Although there could have been strategic pillow talk, it was not uncommon for there to be his and hers bedrooms. Is it really possible that the women of rank from the House of Escalus could fall to being servants and then rise again to being considered aristocracy? Is that, perhaps, how the stardust of Liberty was sprinkled onto the subconscious of the masses? (wink)
For the time being, the series can be viewed on Saturday evenings. Find episodes and show dates here. [I just found it while attempting to learn whether it's still being aired.] Each episode can be viewed on Amazon.com for $1.99 per episode. The episodes are exciting and very close to a Dumas novel.
So there you have it. A review of the show that isn't a postmortem.
Resources:
When it first aired, it was one of the Summer substitutes for the Shondaland empire on Thursday nights. That was interrupted when the air dates started changing in deference to things such as awards shows, sports specials, TV reality contests, and other madness. Then the show air dates started moving. Initially, it followed episodes of "The Bachelorette." That changed. It showed up again on a Sunday night then eclipsed itself only to reappear on a Saturday night - in conflict with KCET's dramas and PBS's Masterpiece Mysteries.
At this point, it isn't clear whether it's supposed to be a weekly Summer show or just a filler until the Fall season starts. It appears the series is going to suffer a slow death. Thus, a good review/critique may be a postmortem.
In the meantime, here are a few observations about "Still Star-Crossed."
It's the next chapter of the classic tale of Romeo and Juliet, penned by the bard, Shakespeare. Perhaps that's why the Italian families speak with extremely British accents.
There's nothing to explain why the royal families are so diverse. Perhaps this has to do with the fact that Italy is so close to Morocco and the northern areas of Africa. Perhaps it has to do with the fact that the remains of Beachy Head Woman of British archaeology was originally from a sub-Saharan country and who could have been the wife or mistress of merchant. At any rate, the awareness of Beachy Head Lady lends credence to the array of colors of the Veronese and Venetian aristocracy portrayed in the series.
Much of the story line has a "Scandal" feel with regard to the intrigue the hangs like a heavy cloud over the characters. But that was also the signature intrigue unique to the bard in many of his dramas. Richly colored costumes (that have a certain color scheme for particular characters) are very accurate for the time. There's a very limited view of the common life that should be part of the population. The story feels like we're watching a period-based soap opera. But it's well executed, which is one of the reasons for my frustration when it isn't aired on the expected day and time.
It was a bit difficult to take when Lady Rosalind ran off astride a horse instead of side saddle with Lord Benvolio. There were reasons why ladies rode side saddle. But there were also women who broke with traditions and were brazen and bold and rode cross saddle. It appears she was among them. (Right on, ladies!)
Which brings me to the roles of the women in this series. Were they truly involved in the various maneuverings of political plans and schemes or were they merely window dressing for their husbands? Theory has it that the former was true. Although there could have been strategic pillow talk, it was not uncommon for there to be his and hers bedrooms. Is it really possible that the women of rank from the House of Escalus could fall to being servants and then rise again to being considered aristocracy? Is that, perhaps, how the stardust of Liberty was sprinkled onto the subconscious of the masses? (wink)
For the time being, the series can be viewed on Saturday evenings. Find episodes and show dates here. [I just found it while attempting to learn whether it's still being aired.] Each episode can be viewed on Amazon.com for $1.99 per episode. The episodes are exciting and very close to a Dumas novel.
So there you have it. A review of the show that isn't a postmortem.
Resources:
- Face Of ‘Beachy Head Lady’ Revealed, Roman Era Woman Is A ‘Fantastic Discovery’
- The 1,800-year-old face of 'Beachy Head Lady' is revealed for the first time thanks to 3D scanning
- Characters in Romeo and Juliet (from Wikipedia)
- A (Not So) Short History of Women Riding Astride
- Women in the [Italian] Renaissance
- Gender Roles of Women in the Renaissance
- The Place of Women in Renaissance Italy and Women's Opportunities for Making a Life of their Own
- Images of ladies of the renaissance who became servants
- Alexandre Dumas
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